Friday, December 13, 2013
ArtWorks Gallery including Sculpture by the Stonenchanter
Friday, September 13, 2013
William Edmonson I Owe You
Indiana Limestone Carving by David A. Day Stonenchanter
While we were looking, my wife Beth only somewhat jokingly said, "I wonder how many of your limestone carvings are they going to have mistakenly included in this search?"
Surprisingly, what we did find this time was a piece of mine I had sold in Nashville years ago (pictured here). Unfortunately it had been attributed to an acquaintance the very talented, but deceased, sculptor and Vanderbilt teacher Thomas Puryear Mims from Nashville. Tom and I, occasionally exhibited together. My Indiana limestone carving they mistakenly attributed to him sold at auction in 2011 in New York City.
Here is that link:
http://www.liveauctioneers.com/item/9073869
I wrote the auction house, but have not yet heard from them and would not be surprised if I don't. I myself am currently working on an appraisal of 10 of my significant early pieces from a private collection here to help settle an estate. I know there can be issues and questions even when you are very knowledgeable.
I wish my asphaltic limestone carving "If you go barefoot, you are going to get thorns!" that I sold to Miss MaryLou Derryberry in Chattanooga way back when would pop back up somewhere, sometime too. I would like to see it again. If you run across it let me know, I rarely took photos.
While I am from Memphis, I owe having made my career as a sculptor largely because of Edmonson. He was from Nashville and quite universally well-known there. As a consequence, everyone there easily related to my Indiana Limestone carvings. The majority of his work is held in private collections there, plus a few here. Thankfully, many of those collectors also bought my pieces. I usually delivered and placed my carvings, and so not only had the opportunity to see a large percentage of his body of work, but I was allowed to study, handle and on occasion move them for the sometimes aging owners who had bought them from him personally when they were very inexpensive (even a few dollars). His carvings were sometimes found being used as doorstops. Some of the owners were not wealthy themselves but everyday folks who so appreciated the pieces in their collections that they had so far managed to resist the astronomical and ever-growing prices his pieces were demanding (valued at tens of thousands of dollars). My favorite collector, a retired African-American school teacher had quite a number that were small. She had originally bought them for her tiny garden. She also became a regular customer of mine, and so I was told many stories of her visiting his stone yard. The Tennessee State Museum who owns his work had a retrospective of his carvings back in the 1980's I think, that I visited often during the run of the show.
The museum also owns a piece of mine titled “Sweet Spring” reminiscent of Edmonson which is on loan to the Governors Residence where it was installed in the entrance garden. I doubt it would be there without the William Edmonson legacy.
Just as surprising was a large painting of "Sweet Spring" also in the Governors Residence collection, but that with pictures of them are another story.
Oh yea, thanks to the New York auction house for these great pictures of my carving, even if you did get who did it wrong.
Monday, September 9, 2013
Larimar, Chrysoprase, and More
Lapidary and Jewelry by Beth Prussia Day
Beth has been busy cutting stone and fabricating sterling for jewelry getting ready for the annual Pink Palace Crafts fair where she will be demonstrating lapidary and I will be demonstrating stone carving. Here are her latest creations using Larimar, Chrysoprase, Precious Opal, and two types of Crazy Lace Agate with sterling.
Monday, September 2, 2013
New Gallery Showing Stone and Wood Carvings
Angel
Grouping
Daedalus
The Oak
Princess
I am currently showing a few pieces in a new gallery.“The ArtWorks Gallery “ located at 2770 West Street, Germantown, TN, in Saddle Creek South.
Regular Gallery Hours will be 11am to 5pm Thursdays, Fridays & Saturdays.
For special appointment or more information you can contact: gregbelz@hotmail.com
Friday, July 26, 2013
ARGUABLY A LAKE SUPERIOR AGATE
I have very mixed feelings about
offering this little gem for sale as it is arguably a Lake Superior
Agate that I carved into a very sensual – perhaps even erotic
looking heart. If you spend enough time collecting along the
Mississippi River and on the more and more rarely exposed gravel
bars, you will eventually find the elusive Lake Superior
Agate, but rarely are they as large as this piece.
Thursday, July 11, 2013
New Free-form Cabochons
Beth completed a really fine selection
of precious and semiprecious gemstones yesterday. They are still on
the dop sticks she uses to hold them while she shapes and polishes
them. The diamond polishing wheels she uses to grind and finish them
wet on her lapidary machine are also pictured.
Sunday, June 2, 2013
Time to Get Wet!
Sometimes rocks we have collected on
one of our field trips sit around in our yard for a year or more
allowing the rain and sun to naturally clean them. However if they
are big and really dirty, I pull out the pressure washer and get
really wet. The majority of them I clean with a small jet nozzle
simply attached to a hose but get even wetter since there is no long
wand. To be honest, this time of the year getting wet is part of the
fun. I turn the stones often and let the sun dry them in-between
which helps break up trapped dirt. I repeat this process until the
loose material is removed. Exceptional examples may require hand
cleaning with probes and brushes. Beth and I like specimens in both
their naturally found form and as in these examples completely
cleaned of mineral stains which requires a few hours in a crock pot
slowly heated with a mild oxalic acid. This acid bath is required to
clean the iron oxide off select specimens like this druzy quartz we
collected on the last Club trip to Missouri. You can clearly see the
difference between those that were just cleaned with the hose and
those that have had the iron oxide coating removed with acid.
Many rocks we collect end up in the
garden or I use them as pots like the included example. Some we cut
and polish. Others we make into jewelry.
Sunday, April 21, 2013
Curious Conglomerate Hand Carved River Rock Heart Sculpture
I have always collected “curious
rocks”. Conglomerates like the stone this heart is carved from were
among the first things I picked up, usually out of creek beds. At the
time I thought they were gravel that was used in some man-made
product like asphalt or concrete that had broken, been thrown away,
and then weathered into the curiously mixed odd shapes. Little did I
imagine back then they were river or ocean gravel that many millions
of years ago had settled within an iron oxide mud like limonite or
hematite and were fused underground with great pressure for many
millions of years only to resurface again usually in riverbed gravel
or out of a gravel pit like this piece I carved into a heart.
This material is irrational to carve
and even more difficult to polish. When I first suggested that I was
going to use it for sculptures, other lapidary artist told me the
stone was unworkable and would only ruin the tools or other material
that was mixed with it while tumbling. This piece is an excellent
example of that not being true. It is true that only a select few
conglomerate carvings survive to completion. Perhaps it requires a
certain aesthetic to fully appreciate such a carving, but I think
this amazing example of what is possible speaks for itself. This is
as difficult, rare, and odd as carving and polishing stone gets.
Wonderful to contemplate and to hold as it oozes the energy
geological forces invested in its creation. Every curious rock
collector needs one.
https://www.etsy.com/listing/130050282/curious-conglomerate-hand-carved-river
Tuesday, February 5, 2013
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